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Your distributor pays the master. Your PRO pays publishing. But a lot of artists forget there’s another bucket: master performance royalties. In the U.S., digital radio can pay the master side, that’s where SoundExchange comes in. Outside the U.S., radio/public performance can pay the recording too, that’s neighbouring rights. If your music is moving globally, your money might be too, if you actually collect it. 📌 Full convo with Jacob Paul is wherever you stream podcasts. Link in my bio. #soun
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