Sierra was 27, an infant by opera standards, when she sang her first Gilda at the Met. Already, she was capable of beautiful ...

Evan LeRoy Johnson returns to Prague for a new staging of Mozart’s Idomeneo after conquering Dvořák’s consonant nightmares.

Everything is illuminated this weekend at Signal, a food fest devote to all your guilty pleasures, and Diwali comes to Prague ...

Countertenor Nicolò Balducci first came to attention at the 2022 Early Music Festival in Innsbruck, where he won 3rd prize as ...

Amarillo Opera is presenting Mozart's "The Marriage of Figaro" for one night only on Saturday, Oct. 4. The opera, directed locally by Cynthia Stokes, tells a story of love, mischief, and forgiveness ...

NEW YORK (AP) — Tenor Rolando Villazón was singing the title role in Massenet’s “Werther” in 2006 at Nice, France, when he ...

Opera thrives on competition as much as collaboration—on who can sing higher, louder, longer, more passionately; what production can seduce or scandalize ...

It’s unusual to report on audience behaviour in a review, let alone open with it, but yesterday’s at the Volksoper was quite the most well-behaved I’ve encountered in years: attentive, no scrolling on ...

Performances in N.Y.C. Advertisement Supported by The Metropolitan Opera opened its season with a superficial adaptation of Michael Chabon’s novel “The Amazing Adventures of Kavalier & Clay.” By ...

The schlock-gothic Andrew Lloyd Webber megahit returns to keep Phans on their toes. For the rest of us, this immersive production is neither fun nor emotionally resonant. Jeff Kready and Anna Zavelson ...