BBC's The Capture made its comeback for a third series this month, with Holliday Grainger returning as Rachel Carey. The third series, which continues to chart Rachel's fight against deepfake ...

March’s thriller line-up proves that the genre is showing no signs of slowing down. From high-stakes, global conspiracies and chilling missing-person cases to brooding crime dramas packed with moral ...

BBC's The Capture made its comeback for a third series this month with Holliday Grainger returning to her part as Rachel Carey. The third series, which will carry on tracking Rachel's struggle against ...

BBC's The Capture returned for a third series this month with Holliday Grainger reprising her role as Rachel Carey. The third series, which will continue to follow Rachel's battle against deepfake ...

Still catching your breath after The Capture's season 3 premiere? We can't blame you – the first episode of the BBC thriller in almost four years had it all, from the shocking demise of an established ...

While The Capture is, on its surface, most interested in the developing nature of tech in the modern world, and specifically deepfakes, each of the two seasons thus far have also examined a deeper ...

The Capture is back for series 3 as Holliday Grainger reprises her role as Rachel Carey alongside new and returning cast members. The third season of The Capture comes nearly four years after series ...

The Capture returns for its third series, with Holliday Grainger reprising her role as Rachel Carey alongside both familiar and fresh faces in the cast. Series three of The Capture arrives nearly four ...

Get the latest entertainment news, reviews and star-studded interviews with our Independent Culture email Get the latest entertainment news with our free Culture newsletter “I remember reading some ...

Add Yahoo as a preferred source to see more of our stories on Google. “I remember reading some reviews of series one that were like, ‘Oh, this is so ridiculous, we’re so far away from this,’’ lead ...

When The Capture hit screens in 2019, it was branded “preposterous”, “implausible” and “utter bobbins”. The BBC drama mined technology for horror, presenting a world in which ordinary footage can be ...