Roguelike Games They let me play as a radical frog wizard in a roguelike fusion of Golden Axe and Capcom's classic D&D brawlers, and suddenly its October launch is even more exciting Roguelike Games ...
In a post-Balatro world, everything is a roguelike. Mahjong? That's a roguelike. Minesweeper? It's a roguelike. Those weird coin pusher machines that are for some reason present in every English ...
It’s widely agreed upon that the Department of Motor Vehicles is hell on earth. Long wait times and extensive paperwork contribute to poor attitudes and short tempers across the board. Neither the ...
As with the aforementioned Tom Cruise starrer, Edge of Tomorrow, All You Need is Kill doesn’t let up once the days start repeating and the new picture, co-directed by Ken’ichirô Akimoto and Yukinori ...
Performances in N.Y.C. Advertisement Supported by Critic’s Pick Ivo van Hove’s stark production of Mozart’s classic has returned to the Metropolitan Opera with a uniformly excellent cast. By Joshua ...
They say “insanity” is doing the same thing over and over again while expecting a different result, but if I believed that, I wouldn’t play video games – and I certainly wouldn’t be playing roguelikes ...
Megabonk is a 3D survivors-like with a very specific sense of humor that has been getting a lot of buzz lately. I've played about 15 hours as of writing this, so while this quick look is more meant to ...
Dalton Cooper is the Managing Editor of Game Rant. Dalton has been writing about video games professionally since 2011. Having written thousands of game reviews and articles over the course of his ...
Unlock access to every one of the hundreds of articles published daily on BroadwayWorld by logging in with one click. THE ROCKY HORROR SHOW, with book, music, and lyrics by Richard O’Brien, opened ...
The latest installment's best ideas compete with director Joachim Rønning’s fetishistic focus on classic Tron mythology, which looks and sounds great in Imax 3D. Compared with such a trite fear of ...
Too Late to Be Cool features a telling archival cover photo shot by Henry Diltz back in 1979. Both album and image took a long time to reveal themselves, and in the end – like that flashlight trained ...
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