“De Kooning: A Retrospective,” at the Museum of Modern Art, is the most piercing, inexhaustible and relentlessly intense full-on career survey I have ever seen in this country. It could only be better ...

I got up early Saturday morning to go to MoMA to catch the members-only viewing (a perk for members that lets you see a show when there aren’t so many people around) of the Willem de Kooning ...

Until the newest iteration of Bravo's "Work of Art" reality show returns in October (no need to attend any actual gallery exhibitions during that month), the lovably conformist world of art shall be ...

"Woman, I," by the Dutch-born artist Willem de Kooning, is part of a retrospective of the artist's career on view at the Museum of Modern Art, through Jan. 9. Credit: AP Remembering 9/11 ...

Willem de Kooning, “Untitled” (1966). Charcoal on paper, 10 x 8 inches. Museum of Modern Art, New York. Gift of Jan Christiaan Braun in honor of Rudi Fuchs ...

New York A few months ago, at the Hirshhorn Museum in Washington, I noticed that all the greatest de Koonings were missing. They have since resurfaced, along with most of Willem de Kooning’s greatest ...

The de Kooning retrospective that opened last month at the Museum of Modern Art (MoMA)—the first devoted to the full scope of the artist’s seven-decade career—presents a rich, nuanced view of a great ...

Willem de Kooning couldn’t have been more clear about what he thought of retrospectives, despite his reluctant agreement to a mid-career survey in the late 1960s: “They treat the artist like a sausage ...

“Jasper Johns,” I once heard an art dealer declare, “is the Rembrandt of our time.” It speaks to the pressures of the marketplace and the hyperbole it can generate that such an opinion is shared by ...

Add Yahoo as a preferred source to see more of our stories on Google. Out of a fog of amorphous intentions and blowsy, drunken histrionics, Willem de Kooning carved out a rare and imperiled species of ...

Chaïm Soutine (French, b. Russia, 1893–1943), "Woman in Pink" (c. 1924), oil on canvas, 28 3/4 × 21 3/8 inches, Saint Louis Art Museum. Given by Sam J. Levin and ...

The ripping sound must have been horrific. When thieves pulled out a sharp blade to slice Willem de Kooning’s painting “Woman-Ochre” from its frame at the University of Arizona Museum of Art in Tucson ...