Compared to the vivacious lightness of touch in the first, G major Sonata of Op. 31, the second is, as its nickname suggests, a stormy work. The name, as so often in Beethoven's piano sonatas, was not ...
It's said that when Beethoven was asked what this sonata was about he angrily replied "ready Shakespeare's Tempest!". Listen out for the beginning of the third movement; an emotional passage that ...
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