Washington National Opera (WNO) presents the fifth season of its acclaimed American Opera Initiative, a comprehensive commissioning program that brings contemporary American stories to the stage while ...

If you thought binge-watching was just for Netflix, Opera Philadelphia is out to prove you wrong with their 2016-2017 season. The company's new format will pack three productions into an 11-day period ...

The Dallas Opera’s 2017-2018 season includes classics unfamiliar and familiar—Verdi’s beloved La Traviata returns—as well as the U.S. premiere of a stunning contemporary “occult mystery film opera,” ...

Madison Opera has announced the company's 2017/18 season, which feature a classic opera and two Madison Opera premieres. The season opens in November with Bizet's Carmen, followed by Mozart's The ...

Los Angeles Opera announced its 2017-18 season on Monday, including main stage productions of “Carmen,” “Candide” and “Rigoletto” as well as Off Grand programs for venues such as REDCAT, the Broad ...

Houston Grand Opera announces its 2017-18 season today, one that no longer has one of Wagner’s Rings to call upon (the last part plays this spring) but still has some crowd pleasers of lasting appeal, ...

Since taking the helm of Seattle Opera in 2014, Aidan Lang has championed the breaking down of barriers that keep many people from going to the opera. Cost, comprehension and the comfort factor keep ...

Circuit boards, animation, acoustic guitars and Zen Buddhism all figure in The Santa Fe Opera’s 2017 world-premiere production of The (R)evolution of Steve Jobs. The commission was publicized last ...

Swords and sandals will meet tenors and sopranos when Arizona Opera kicks off its 2017-18 season with “Hercules vs. Vampires.” It’s a film-opera hybrid that has world-class singers voice-syncing to ...

Why is Christian Science in our name? Our name is about honesty. The Monitor is owned by The First Church of Christ, Scientist, and we’ve always been transparent about that. The church publishes the ...

Falstaff is an opera in three acts by the Italian composer Giuseppe Verdi (1813–1901). The libretto was adapted by Arrigo Boito from Shakespeare's The Merry Wives of Windsor and scenes from Henry IV, ...

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