Revolution is in the air on Bow Street, as the Royal Opera pulls another corker of a revival out of the bag with David McVicar’s exemplary staging of Mozart’s sublime comedy, Le nozze di Figaro ...

Plus, get the best of BroadwayWorld delivered to your inbox, and unlimited access to our editorial content across the globe. Teatro Grattacielo's 2025 season will conclude with Wolfgang Amadeus Mozart ...

There are few operas so able to elicit a joyful response by their mere mention as Le Nozze di Figaro. For many opera fans, myself included, each aria forms a beloved collection of recollections of ...

For more than seven decades, the Metropolitan Opera Radio Broadcasts have brought opera into millions of homes, playing a vital and unparalleled role in the development and appreciation of opera in ...

Conductor Joana Mallwitz makes her Met debut leading the cast in Mozart’s comic masterpiece. Michael Sumuel is the clever valet Figaro opposite Olga Kulchynska as his betrothed, the wily maid Susanna.

Komische Oper Berlin's Marriage of Figaro - Jan Windszus Photography The Edinburgh International Festival is taking opera seriously this summer, and among its imports will be this riveting, moving ...

Unlock access to every one of the hundreds of articles published daily on BroadwayWorld by logging in with one click. You could be forgiven for thinking that there isn’t much more to be said about Le ...

This time the house’s brilliant director of Strauss masterpieces, Bruno Ravella, who worked as assistant to Cox at the old Garsington in 2005, has been called in to fine-tune a rather wonderful cast, ...

This weekend, the Tufts Opera Ensemble is tackling Mozart’s famous opera “Le Nozze Di Figaro” (1786). Directors Carol Mastrodomenico and Thomas Stumpf, faculty members of the music department, have ...

Clément’s interpretation honours the opera’s classical roots, highlighting its timeless wit and biting social commentary. With elegantly designed revolving sets that guide the audience from chamber to ...

In mediocre hands the heavenly lengths of Mozart’s masterpiece can make for a tiring trek, especially once the postscriptum final act tips into a fourth hour; but when it’s done as well as it is here ...

Two outstanding casts—including sopranos Nadine Sierra, Anita Hartig, Susanna Phillips, and Hanna-Elisabeth Müller; mezzo-sopranos Gaëlle Arquez and Marianne Crebassa; baritone Mariusz Kwiecien; and ...