Polish filmmaker Agnieszka Holland’s award-winning “Green Border,” opening Friday at the Coolidge Corner Theater, offers a broad, eye-opening view of the immigrant crisis as it erupted on Poland’s ...
'Green Border' director Agnieszka Holland accuses Poland's far-right government of pressuring the independent Oscar committee to pick DK and Hugh Welchman's animated literary adaptation over Holland's ...
Leave it to Belarus, that eternal hotbed of human rights violations, and specifically to dictator Alexander Lukashenko, to fan the flames of the European migrant crisis, now nearly 10 years on. In ...
The luckless souls inhabiting Polish director Agnieszka Holland’s “Green Border” have little light in their eyes. A grim drama about Europe’s refugee crisis (a subject that’s been explored in equally ...
The new film Green Border, from acclaimed Polish director Agnieszka Holland, dramatizes the humanitarian crisis facing millions of migrants seeking refuge in Europe. It tells the true story of how ...
The film weaves together several narratives, all converging on the treacherous “green border” between the two European countries. First and foremost is the story of a tight-knit Syrian family, fleeing ...
Warsaw's right-wing government has attacked Agnieszka Holland's award-winning drama, which highlights the plight of refugees on the Polish-Belarusian border. By Scott Roxborough Europe Bureau Chief ...
Editor’s Note: This review was published during the 2023 Venice Film Festival. Kino Lorber releases “Green Border” in select theaters Friday, June 21, 2024. If you’ve seen “Europa Europa,” the ...
“Society is ready to kill”: Director Agnieszka Holland on the refugee crisis and film “Green Border”
Agnieszka Holland’s astonishing epic “Green Border” presents the current refugee crisis from multiple points of view to illuminate the moral and emotional complexities of this hot button political ...
The Polish multiple Oscar nominee co-writes and directs a gripping account of the inhumanity and depravity that ensues when those fleeing persecution are made political pawns. The GPS on Leila’s phone ...
October, 2021, a plane bound for Belarus. Among the passengers are a Syrian couple, Bashir (Jalal Altawil) and Amina (Dalia Naous), who are travelling with their three children and Bashir’s father ...
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